The Dyscorpia catalogue is co-edited by Daniel Laforest and Marilène Oliver. It contains lavishly reproduced artworks, interviews with artists, an augmented reality section, as well as twelve essays penned by artists and academics among which are MLCS professors Daniel Laforest and Astrid Ensslin, as well as MLCS PhD candidates Megan Perram and Jonathan Garfinkel.
Dyscorpia: Future Intersections of the Body and Technology is an art exhibition that took place in Edmonton in Spring 2019. It gathered an international roster of artists and thinkers in visual art, design, printmaking, medical humanities, virtual reality, sound creation, computer science, and creative writing in order to question what it means not to know the limits of our bodies. Dyscorpia is not science-fiction. Dyscorpia is historical time and biological time entangled. It forces past and future in a deadlock, so the present can be squeezed inside out for you to see.
See also Dyscorpia online https://www.dyscorpia.com/home-2